About de
Let me tell you...
Over the years my works have received several flattering reviews from well-known professional critics of the sector, and well-known personalities from the world of culture, but let me tell myself in a simpler way...
I am Teorema Fornasari, "nom de plume" who embraced me at the end of the 90s following an interview that took place during a television program to which I had been invited, where I declared: "when I have solved my theorem I will have put an end to my mission of artist". In the meantime, I remain connected to the Universe with every receptor attentive.
I suddenly began to express myself and communicate through images from an early age ... very small ... to mitigate the signs of an excruciating pain, against which finding tools to defend yourself was not easy ... so the drawings took the place of words...That's how "mamma arte" came to my rescue, unaware that she would have made her for me, an Artist...a reason and life mission. I will never forget what made me the Artist I am today...
Do you think that the first public exhibition dates back to 1986...
I have been expressing myself artistically since 1984 and I have obtained the best I could get from my artistic expression ... both in personal and professional terms, I have experimented with different techniques and artistic disciplines and without realizing it, year after year my works have been increasingly appreciated, deserving of international recognition and arrived to be present in important private and public collections and to have developed an esteem that I carry as a medal on my chest for having always been consistent in my artistic messages, without falling into marketing compromises or invented currents at the moment. I have more than 130 exhibitions only 90 one-man shows. With my works I was a guest at important editions artistic and present in prestigious events, but I am an artist free from any pre-packaging for this reason I am not slow to remember the my quote "Art has enslaved me to my freedom" I believe that an artist who wants to make his life a work of art must necessarily detach himself from conformity but maintain a freedom so that his works may be "pure".
Although everyone defines me as such, I can't recognize myself in the title of Artist... I prefer to describe myself as a Modifier of Language, because, if it is true that art is communication ... not just a thread conductor that does not join one body to another body... but a deeper encounter... a creative soul that meets the user's soul... a soul that meets another soul... and the magic that unites them through the work is triggered, the only witness of this magic. The universe of the artist embraces that of the user and together they meet a world that no longer belongs to either one or the other other ... a precious magic not contaminated by reason ... indescribable emotion of a secret affinity between the work and its user.
Perhaps they are messages coming from the Pleiades as they often remind me...but this will only be revealed by the future...Art is certainly a magic of which little is yet revealed and given to us humans to know. This is why I think a lot of humility is needed when it comes to art...as I believe that art is sacred and should be treated as such.
For me artistic expression has always been a connection with the world, the possibility of meeting other souls in the most discreet and reserved way. I believe more and more that the aim of the true artist must be the ability to denounce the present by anticipating the future with an innovative technique, otherwise one cannot be Artists but excellent Artisans or Creatives.
The work has the word, not the artist.
I find it untruthful that an artist who knows his work well should invent sophisticated ways to describe it, I think it is more honest that an artist lets their works speak for themselves, surely they will be able to tell their stories better.
In 30 years of artistic work I have screamed, cried, laughed, played... I have been in solidarity and have embraced mankind through my works. This is why I felt the need to combine the Performance with my pictorial artistic expression. My works are neither self-referential nor personal, my works belong to the universe, to every HUMAN being or that such is recognized in the Human and not in the simple being . This is how in 2001 I started the "Alien Sense" art movement.
To date... in these times... in the Era of these times, I started imperfectionism... to denounce the time of the Imperfect.
My works can also be a piece of furniture, but honestly their ambition is to be an emotional piece of furniture, a small baggage _cc781905-5cde-3194-bb3b -136bad5cf58d_which in this life has been collected, take care of them and listen to them.... listening to each other.. and don't be afraid of not understanding them, give yourself the right time and they will reveal themselves to you.
My Works can be an investment, intended for those waiting to reveal the Theorem...so take care of them.
I have a mission and that is to reveal the Theorem to myself before the world ... but I accept the wonderful challenge that the world will reveal the Theorem to me.​
From the study of Maestro Teorema is everything ... the Works will tell you the rest.
​
Thank you
Fornasari theorem
Art made me a slave to my freedom
Il “Teorema” dell’Esistenza
​
“L’artista è niente senza il dono, il dono è niente senza il lavoro”
Emile Zola
​
Vi è un elemento certo e inequivocabile nell’arte e nelle performance di Teorema Fornasari che è l’unicità
poliedrica ed espressiva in grado di attraversare più ambiti o stili, in un mondo, quello contemporaneo,
sovente omologato, ove l’originalità a volte viene a mancare.
La “Creatura” del Teoremino, “parto artistico” di Teorema, alter ego che simboleggia un messaggio di
pace e speranza, si manifesta nelle opere con un metalinguaggio segnico innovatore; ponte di
comunicazione metafisica con altre dimensioni figurabili. Rappresenta una novità per quel che riguarda
l’arte contemporanea, se lo si paragona al “concetto” stesso di cosa sia oggi l’arte moderna e
contemporanea. Tuttavia, " Teoremino”, di cui già da molti anni se ne è sentito parlare innumerevoli volte
in vari ambiti come nelle rassegne e di cui hanno scritto vari Critici e Storici importanti, parte, per quel
che riguarda la Storia dell’Arte, da un paradigma Spazialista e si fa interprete di nuovi canoni informali.
Le opere di questa artista, in continua sperimentazione, sono un nuovo “Timeo” Platonico e decodificate
da un nuovo alfabeto cromatico astratto, dove la logica- scientifica, parlando di Wittgenstein, è da
considerarsi ingrediente integrante del suo percorso.
​
Tutto ciò lo possiamo considerare come l’ossimoro
pittorico della sua arte, tra fantasia e razionalità.
Teorema, che vanta un cospicuo curriculum di mostre in
Italia e all’estero, è una artista sensibile.
Una interprete in sintonia con i tempi difficili che stiamo vivendo,
ove la Sua creatività risente di tutte le coercizioni che la vita a volte impone.
Le sue opere pertanto fanno
partecipare lo spettatore togliendolo dalla catalessi esistenziale e trasportandolo in nuovi universi
possibili con un monito di pax cosmica.
Gli artisti sono il bene più prezioso della Società contemporanea
e vanno tutelati. L’umiltà di Teorema in questa esistenza, in questo sistema solare, è pari alla Sua
continua evoluzione.
​
Roberto Garbarino
​
¢á3 –“·VZËä4Iš/Üî_sŒ1~‰Ü‚¡_l_ì‡ñxåÝ_2q`¦àë4-
KjŸ«_Ãæ.èùij„_ìViâó'L›ËHÕx‹w_ß_Ãa÷IVØÓ Ì§Â_Œ‡l’“(oî9¦n+ô_7f()(@_â2[ÖAu7îÙ©ÛƒæJŽo—
ÎÉ8b•&Ü_ÏΦŒTMVeO÷ß bNVO_5€ Ö_Q¤3⁄4ß«‹Æ¢TM ôZoÛñFt—_jc÷Þ_ ð^6ó f...
ê1⁄2qõÙüj›©Š‹VÀy_ëFO2_$ ÓAï=9La1p_ud»ç±¢D?ÅF[P»¡ŒÎÆÆý?
aew_±_ÆHGê_ ̧M`Z_±_øå_æËu¿...
Å_Öƒƒ×_Å1é¦ _@.œ1⁄4^§ÅÞpá_NQ<,Ö¦¤«1⁄2pŠ æhåœe„Ó2Ö4‰Sjw Ì„Á
_†ôKxæûÃmZ§ŠX§uÛy ̈ˆ~[MÿNÄTä9& IÍá€Ûîà£7ý_STM§n Ì„pÄœ_V _î?åm_ £
¿__W ̃_¬l1⁄2_ž|2Ã? 3MÂ÷ùs’ËpV¬__ב__“4~¦w3⁄4§à§•ÿTM!„Þ¶#„ùÁ_S©Iuoßs_Ø*ßîK¥vAU
¡_,pkT_@-Ó©)‰
¤ÎÚdƒqlü¡x_Äp"ôŽ« ̃o0Ü3⁄4çá_JÖ2Ýå‰ë98ú6r_¦ _Ü÷^¤úp ̃‚ôU÷©â_ê3éMfμ_aÕ_oÖj_L‚